Everything about Zombieland works, from the expositional flashbacks, to Columbus’ voice-over narration, to the well-judged but sudden changes in tone.

~ Daniel Hooper -

Everything about Zombieland works, from the expositional flashbacks, to Columbus’ voice-over narration, to the well-judged but sudden changes in tone.

~ Daniel Hooper -

The plot does not stand up to scrutiny and is so full of holes it should sink to the bottom of the Everglades. It doesn't, because it has style.

~ Angus Wolfe Murray -

The plot does not stand up to scrutiny and is so full of holes it should sink to the bottom of the Everglades. It doesn't, because it has style.

~ Angus Wolfe Murray -

Bill Murray is acceptably crusty, but hardly huggable

~ Angus Wolfe Murray -

Bill Murray is acceptably crusty, but hardly huggable

~ Angus Wolfe Murray -

Richard Donner shoots the film as a supernatural fantasy and gives it a superior shine.

~ Gator MacReady -

Richard Donner shoots the film as a supernatural fantasy and gives it a superior shine.

~ Gator MacReady -

It must be said that time has not been kind to this film.

~ Amber Wilkinson -

It must be said that time has not been kind to this film.

~ Amber Wilkinson -

What gives this film an edge over conventional rites-of-passage movies is its oddity.

~ Angus Wolfe Murray -

What gives this film an edge over conventional rites-of-passage movies is its oddity.

~ Angus Wolfe Murray -

Stiller, Paltrow, Murray and Luke Wilson needn't have bothered. Their characters are stuck in ruts.

~ Angus Wolfe Murray -

Stiller, Paltrow, Murray and Luke Wilson needn't have bothered. Their characters are stuck in ruts.

~ Angus Wolfe Murray -

It disappoints on two fronts. The directors, Bobby and Peter Farrelly, love vulgar so much they can't be anything else and the complexity of the human body is too wondrous for a bunch of animators to figure out.

~ Angus Wolfe Murray -

It disappoints on two fronts. The directors, Bobby and Peter Farrelly, love vulgar so much they can't be anything else and the complexity of the human body is too wondrous for a bunch of animators to figure out.

~ Angus Wolfe Murray -

We lack emotional investment in the underlying situation, possibly because Coppola is aiming to play almost everything for laughs.

~ Amber Wilkinson -

We lack emotional investment in the underlying situation, possibly because Coppola is aiming to play almost everything for laughs.

~ Amber Wilkinson -

The perfect summer movie for the eternally 12 who like to travel in style.

~ Anne-Katrin Titze -

The perfect summer movie for the eternally 12 who like to travel in style.

~ Anne-Katrin Titze -

The film becomes a mixture of Dad's Army and The Cockleshell Heroes (without the cockleshells).

~ Angus Wolfe Murray -

The film becomes a mixture of Dad's Army and The Cockleshell Heroes (without the cockleshells).

~ Angus Wolfe Murray -

The premise pushes its luck in the street cred dept.

~ Angus Wolfe Murray -

The premise pushes its luck in the street cred dept.

~ Angus Wolfe Murray -

By the half way point I was beginning to take back everything I said re Steven Soderbergh's dull-as-ditchwater Che: Part II - even he manages to drum up more tension than this.

~ Amber Wilkinson -

By the half way point I was beginning to take back everything I said re Steven Soderbergh's dull-as-ditchwater Che: Part II - even he manages to drum up more tension than this.

~ Amber Wilkinson -

The pace may be slow, but the feelings are racing.

~ Angus Wolfe Murray -

The pace may be slow, but the feelings are racing.

~ Angus Wolfe Murray -

Neat little potted history that it is, it doesn't really require the viewer to know the sport in depth.

~ Jennie Kermode -

Neat little potted history that it is, it doesn't really require the viewer to know the sport in depth.

~ Jennie Kermode -

Shot in vivid colour and interspersed with some terrific songs, this is a formulaic story but a hell of a ride.

~ Jennie Kermode -

Shot in vivid colour and interspersed with some terrific songs, this is a formulaic story but a hell of a ride.

~ Jennie Kermode -

Anderson creates sealed, self-supporting worlds, crammed with excruciating detail.

~ The Exile -

Anderson creates sealed, self-supporting worlds, crammed with excruciating detail.

~ The Exile -

I suspect even Jarmusch’s most ardent fans will find longeurs.

~ James Benefield -

I suspect even Jarmusch’s most ardent fans will find longeurs.

~ James Benefield -

The film has adventure at its heart and excitement in its pocket.

~ Angus Wolfe Murray -

The film has adventure at its heart and excitement in its pocket.

~ Angus Wolfe Murray -

Go in as a fan of Anderson's work and you will not be disappointed. Go in as a fan of film and you will likely be delighted.

~ Andrew Robertson -

Go in as a fan of Anderson's work and you will not be disappointed. Go in as a fan of film and you will likely be delighted.

~ Andrew Robertson -

Are Bill Murray's fabulous presidential brogues what is worth remembering most, or are some of the statements about gender still valid commentary?

~ Anne-Katrin Titze -

Are Bill Murray's fabulous presidential brogues what is worth remembering most, or are some of the statements about gender still valid commentary?

~ Anne-Katrin Titze -

The actors (or director) clearly only have half a clue what they're saying.

~ Nicola Osborne -

The actors (or director) clearly only have half a clue what they're saying.

~ Nicola Osborne -

An emotionally engaging tale that sucks you in with its gentle humour and melancholy.

~ Max Crawford -

An emotionally engaging tale that sucks you in with its gentle humour and melancholy.

~ Max Crawford -

Painting by numbers and staying comfortably within the lines might pass time but I wouldn't call it entertainment.

~ Andrew Robertson -

Painting by numbers and staying comfortably within the lines might pass time but I wouldn't call it entertainment.

~ Andrew Robertson -

The latter part of the movie labours as Reitman aims firmly for the rose-tinted jugular of parents courtesy of cameo appearances that don't sit comfortably within the fabric of the film.

~ Amber Wilkinson -

The latter part of the movie labours as Reitman aims firmly for the rose-tinted jugular of parents courtesy of cameo appearances that don't sit comfortably within the fabric of the film.

~ Amber Wilkinson -

A ridiculous idea spun into a film that skilfully mixes genuine laughs with genuine frights and chills.

~ Scott Macdonald -

A ridiculous idea spun into a film that skilfully mixes genuine laughs with genuine frights and chills.

~ Scott Macdonald -

Although this is worth watching purely for Duvall's superb turn, he doesn't want for support.

~ Amber Wilkinson -

Although this is worth watching purely for Duvall's superb turn, he doesn't want for support.

~ Amber Wilkinson -

Two lazy fat cats with accents halve the fun.

~ Angus Wolfe Murray -

Two lazy fat cats with accents halve the fun.

~ Angus Wolfe Murray -

Bill Murray is the voice of Garfield. So laconic, so cool, it's amazing they have never joined up before.

~ Stephanie Wolfe Murray -

Bill Murray is the voice of Garfield. So laconic, so cool, it's amazing they have never joined up before.

~ Stephanie Wolfe Murray -

A very New York film.

~ Anne-Katrin Titze -

A very New York film.

~ Anne-Katrin Titze -

It all has a very particular flavour. Even a new one.

~ Andrew Robertson -

It all has a very particular flavour. Even a new one.

~ Andrew Robertson -

A fantastic adaptation that manages to surpass its source material while staying entirely true to its spirit.

~ Anton Bitel -

A fantastic adaptation that manages to surpass its source material while staying entirely true to its spirit.

~ Anton Bitel -

Alternately hilarious and touching.

~ Gator MacReady -

Alternately hilarious and touching.

~ Gator MacReady -

Jarmusch usually manages to invest his films with a quirky sense of humour, but here the lines fall decidedly flat.

~ Richard Mowe -

Jarmusch usually manages to invest his films with a quirky sense of humour, but here the lines fall decidedly flat.

~ Richard Mowe -

Chaotic, funny, beautifully shot and performed with a childlike deadpan.

~ Anton Bitel -

Chaotic, funny, beautifully shot and performed with a childlike deadpan.

~ Anton Bitel -

Good as Caroline Thompson's script is this is a City Of Ember that could do with a little stoking.

~ Tony Sullivan -

Good as Caroline Thompson's script is this is a City Of Ember that could do with a little stoking.

~ Tony Sullivan -

The performances reflect Robbins' upbeat approach and are as enjoyable as they are inspired.

~ Angus Wolfe Murray -

The performances reflect Robbins' upbeat approach and are as enjoyable as they are inspired.

~ Angus Wolfe Murray -

The film's charm is the feeling of spontaneity and randomness.

~ David Stanners -

The film's charm is the feeling of spontaneity and randomness.

~ David Stanners -

The script has a sense of humour that doesn't dazzle with punchy one-liners, but is consistently witty, without showing off.

~ Angus Wolfe Murray -

The script has a sense of humour that doesn't dazzle with punchy one-liners, but is consistently witty, without showing off.

~ Angus Wolfe Murray -

Unpredictable, offbeat and peppered with absurdist humour

~ The Exile -

Unpredictable, offbeat and peppered with absurdist humour

~ The Exile -

This isn't the finest example of the documentary art, but it may well be one of the most enjoyable films you see this year.

~ Jennie Kermode -

This isn't the finest example of the documentary art, but it may well be one of the most enjoyable films you see this year.

~ Jennie Kermode -